Accepted Papers (this is not the final programme)
Session A - 12 papers
A05 - Juliana M. M. Soares, Felipe Carrelli, The margin in the center: the birth of Ocupe Carrinho Project on the neighborhood of Santa Cecilia - Projecto Ocupe Carrinho
A08 - Theodore Kuttner, Os Gémeos & São Paulo: Reappropriating Public Space in a "City of Walls" - Universität-Hamburg
A09 - Graeme Evans, Graffiti, Art and the City: from pariah to place-making - Middlesex University, School of Art & Design
A10 - Carolyn Loeb, Reimagining the City: West Berlin Murals and the Right to the City - Michigan State University, USA
A11 - Konstantinos Avramidis, Reading Writings in Context: The Hidden Iconoclash of Contemporary Athens City Centre - University of Edinburgh, ESALA
A12 - Lara Seixo Rodrigues, The WOOL – Covilhã Urban Art Festival as an instrument of (community) transformation - independent researcher
A13 - Rosa Fasan, “Tuttomondo” by Keith Haring - Scuola Normale Superiore
A15 - Luca Pattaroni, Yves Pedrazzini, Mischa Piraud, Leticia Carmo, Creativity without critic. An inquiry into the aesthetization of alternative culture - Laboratory of Urban Sociology, EPFL, Switzerland
A17 - Adriana Moreno, Boa Vista: Paisagem urbana e seus desdobramentos no espaço polifônico - Universidade Federal de Roraima - UFRR
A18 - Panizza Allmark, Statues, Subversive actions and Surveillance - Edith Cowan University
A19 - Cecilia Dinardi, Urban creativity from below: grassroots cultural interventions, politics and informal creative cities - City University London
A21 - Rodrigo Coelho, Public Art, Nature and City in the construction of Public Place - CEAU / FAUP (Centro de Estudos de Arquitectura e Urbanismo da Faculdade de Arquitectura da Universidade do Porto)
Session B - 16 papers
B01 - Ronald Kramer, “Now we got huge walls”: The rise of legal graffiti writing cultures - University of Auckland
B02 - Axel Philipps, Eelco Herder, Sergej Zerr, Chroniclers of Street Art on Flickr - Leibniz University Hanover
B03 - Susan Phillips, Bomb the Canon: Re-Writing the History of Graffiti in Los Angeles - Pitzer College in Claremont
B05 - Daniel D'Amico, Teaching Social Science through the Political Economy of New Orleans' Cultural Recovery - The William Barnett and The Joseph A. Butt S.J. College of Business at Loyola University New Orleans
B07 - Djalma Thürler, Arte e Sociedade numa perspectiva Pós‐Colonial – um estudo preliminar sobre o teatro contemporâneo em Salvador - Universidade Federal da Bahia
B08 - Heike Derwanz, Street artists and their careers on the art and design markets - HafenCity University Hamburg
B09 - Laura Iannelli, Lorenza Parisi, To Govern artfully. Linking relational public art to urban governance toward new forms of civic participation - University of Sassari (Italy)
B10 - Duarte Lobo Antunes, “In the Papers” - The Media as a Site for Urban Creativity - The Bartlett School of Architecture, University College London
B11 - Legakis Paris, Irregular Temporary Interactions (I.T.I) - independent researcher
B12 - Cara Courage, Urban arts as anti-art - University of Brighton
B13 - Caram Kapp, Martha Bouziouri, Srdjan Tunic, Memetic Murals // Street art networks of solidarity and self-expression between Europe and the Middle East in the second decade of the 21st century - From Here to Fame; Aufbau Kreuzberg
B14 - Paulo Barroso, Keith Haring’s personal visual lexicon and public semiotic-art - Professor (no institution provided)
B16 - Filipa Ramalhete, Maria Assunção Gato, Sergio Vicente, A Participatory public Art Process in Almada – Agents and Values - e-Geo-FCSH/UNL; CEACT-UAL
B17 - Inês Bento Coelho, Site-specific Work in the Urban Sphere: On the city as a studio and as a material to produce artworks - independent researcher
B18 - Julio da Cruz Paulos, Agata Walny, The art of pragmatic action - University Paris 8 – Institute of European Studies
B19 - Ágata Sequeira, «Out in the streets: The possibilities and implications of making art in the city’s public space» - DINAMIA’CET-IUL
Session C - 23 papers
C01 - Johanna Steindorf, Female Migration through Audio: Participative Performances in Public Space using Mobile Devices - Bauhaus-University Weimar
C02 - Victor Correia, Public Art: a conceptual problematic - FCSH - UNL
C04 - Morgan Wells, Graffiti in Galleries: Implications for the Art World - University of California
C06 - Laura Castro, José Guilherme Abreu, Paredes’ Public Art Circuit. A Public Art and Community Orientated Program - CITAR/Universidade Católica Portuguesa
C08 - Minna Valjakka, Kaid Ashton: conflating streets, arts and charity - Academy of Finland Art history, University of Helsinki
C09 - Nicola Hille, Art on the Street: Spencer Tunick’s body sculptures - University of Stuttgart
C11 - Ilaria Hoppe, Urban Art as Countervisuality? - Institute for Art and Visual History, Humboldt-Universität zu Berlin,
C12 - Ulrich Blanché, Banksy vs. Bristol Museum - Street Art or street “flavored” art? - Universität Heidelberg
C13 - Peter Bengtsen, Stealing from the public: on the removal of street art from the street - Department of Arts and Cultural Sciences, Division of Art History and Visual Studies, Lund University
C15 - Ana Vilar Bravo, Participatory Urban Art - Faculdade de Letras da Universidade de Lisboa
C16 - Claudia Hogl, “Obey Shepard Fairey” Fairey’s ‘phenomenological experiment’ between art, political activism and commerce - University of Vienna
C17 - Jacob Kimvall, Mapping out an Institutional History of Graffiti and Street Art - Art History Dept. Stockholm University
C18 - Ema Rocha, 'Musealizar por aí'. Graffiti - The street as exhibit - independent researcher
C19 - Helena Maria Santana, Maria do Rosário Santana, Flash Mob as a moment of creation and human intervention on urban spaces - Departamento de comunicação e arte, Universidade de Aveiro
C21 - Henry Skerritt, Permanent Presence: Hip Hop and Indigenous Self-Representation in the Street Art of Corey Bulpitt and Larissa Healey - University of Pittsburgh (History of Art and Architecture Department)
C22 - Kris Murray, Rethinking political subjectivity in the urban context through the lens of graffiti and street art. - Concordia University
C23 - Giada Pellicari, Graffiti and New Media: the correlations between the two cultures - Fondazione Bevilacqua La Masa, Venice, Italy (curator in residence) Street Art Attack.tk (Editor in Chief)
C25 - Gabriela Vaz Pinheiro, No passage should go unnoticed: a case for a critical stance in temporary public art interventions - Faculdade de Belas-Artes da Universidade do Porto
C27 - Maria do Mar Fazenda, Urban Acupuncture, artistic interventions in a deactivated shop window in Lisbon - PhD Student Artistic Studies – Art and Mediations, FCSH/UNL
C29 - Patricia Guiley, The World as it is Written on the Wall - University of Utah: Department of Art History
C30 - Carlos Alcobia, Largo da Batata Video Mapping and São Paulo's forthcoming arenas of protest - CIEBA – Faculty of Fine Arts
C31 - Javier Abarca, Revs, the unknown pioneer - Universidad Complutense Madrid
C32 - Helena Elias, Inês Marques, Susana Leonor, Recent public art interventions in the context of the luso-brazilian cultural relationship: street murals of Os Gémeos in Lisbon and Vhils in Rio de Janeiro. - Universidade Lusófona
Session D - 19 papers
D1 - Vasilis Avdikos, Real estate development and the transformation of the collective symbolic capital of urban creativity - Department of Economic and Regional Development, Panteion University
D2 - Manuel García y Ruiz van Hoben, Art(s) in the City. Chronicles of a Spray Can - Faculdade de Letras – Universidade de Lisboa
D3 - Luis Menor Ruiz, Street Art and Urban Space. A problem or an opportunity for local governments? Barcelona as a case of study - Institut de Govern i Politiques Públiques de la Universitat Autónoma de Barcelona (IGOP-UAB)
D4 - Jeffrey Ian Ross, REPRESENTING REPRESENTATIONS: GRAFFITI AND STREET ART IN COMMERCIAL AND DOCUMENTARY FILMS - University of Baltimore
D5 - Anna Waclawek, Pop Culture, Politics, and Community: Urban Painting in Montreal - Concordia University
D6 - Ila N. Sheren, The Open-air Gallery: A Return to the Revolutionary, or More of the Market? - Washington University – St. Louis
D7 - Luísa Santos Silva, Public Art Projects - Towards a Critical Discourse on Urban Aesthetics - Humboldt-Viadrina School of Governance
D8 - Christian Omodeo, Graffiti: between public art and entrepreneurial cities - independent researcher
D9 - Julia Tulke, Aesthetics of Crisis. Street Art, Austerity Urbanism and the Right to the City - Institute of European Ethnology at the Humboldt Universität zu Berlin
D10 - Sandra Seixas Silva,(no title provided) - Faculdade de Belas Artes da Universidade de LIsboa
D11 - Moira Bernardoni, Socio-spatial resistance and political significance of graffiti - Middle East Technical University (Ankara, Turkey)
D13 - Pedro Costa, Ricardo Lopes, Is street art institutionalizable? Challenges to an alternative urban policy in Lisbon - ISCTE-IUL
D14 - Nicholas Platzer, How Street Art has reinvented the role of the Gallery - founder and curator of INOPERAbLE Gallery
D15 - Karin Steger, Annette Barz, The role of Berlins Urban Playgrounds - independent researcher
D16 - Sofia Ponte, How does street artworks survive in museums? - Instituto de História de Arte da FCSH UNL and Faculdade de Belas Artes da UP
D17 - Maria Domenica Arcuri, Utopia on Walls: The Collective Political Artworking of Felice Pignataro - independent researcher
D20 - Alice Nogueira Alves, Emerging issues of Street Art valuation as Cultural Heritage - Faculty of Fine Arts, Lisbon
D21 - Veronica Werckmeister, A Case study in Monumental Street Art: Creating Landmarks, Creating Together - independent researcher
D22 - Susan Hansen, Danny Flynn “Bring back our Banksy!”: Street art and the transformation of public space - Middlesex University/London Metropolitan University
A05 - Juliana M. M. Soares, Felipe Carrelli, The margin in the center: the birth of Ocupe Carrinho Project on the neighborhood of Santa Cecilia - Projecto Ocupe Carrinho
A08 - Theodore Kuttner, Os Gémeos & São Paulo: Reappropriating Public Space in a "City of Walls" - Universität-Hamburg
A09 - Graeme Evans, Graffiti, Art and the City: from pariah to place-making - Middlesex University, School of Art & Design
A10 - Carolyn Loeb, Reimagining the City: West Berlin Murals and the Right to the City - Michigan State University, USA
A11 - Konstantinos Avramidis, Reading Writings in Context: The Hidden Iconoclash of Contemporary Athens City Centre - University of Edinburgh, ESALA
A12 - Lara Seixo Rodrigues, The WOOL – Covilhã Urban Art Festival as an instrument of (community) transformation - independent researcher
A13 - Rosa Fasan, “Tuttomondo” by Keith Haring - Scuola Normale Superiore
A15 - Luca Pattaroni, Yves Pedrazzini, Mischa Piraud, Leticia Carmo, Creativity without critic. An inquiry into the aesthetization of alternative culture - Laboratory of Urban Sociology, EPFL, Switzerland
A17 - Adriana Moreno, Boa Vista: Paisagem urbana e seus desdobramentos no espaço polifônico - Universidade Federal de Roraima - UFRR
A18 - Panizza Allmark, Statues, Subversive actions and Surveillance - Edith Cowan University
A19 - Cecilia Dinardi, Urban creativity from below: grassroots cultural interventions, politics and informal creative cities - City University London
A21 - Rodrigo Coelho, Public Art, Nature and City in the construction of Public Place - CEAU / FAUP (Centro de Estudos de Arquitectura e Urbanismo da Faculdade de Arquitectura da Universidade do Porto)
Session B - 16 papers
B01 - Ronald Kramer, “Now we got huge walls”: The rise of legal graffiti writing cultures - University of Auckland
B02 - Axel Philipps, Eelco Herder, Sergej Zerr, Chroniclers of Street Art on Flickr - Leibniz University Hanover
B03 - Susan Phillips, Bomb the Canon: Re-Writing the History of Graffiti in Los Angeles - Pitzer College in Claremont
B05 - Daniel D'Amico, Teaching Social Science through the Political Economy of New Orleans' Cultural Recovery - The William Barnett and The Joseph A. Butt S.J. College of Business at Loyola University New Orleans
B07 - Djalma Thürler, Arte e Sociedade numa perspectiva Pós‐Colonial – um estudo preliminar sobre o teatro contemporâneo em Salvador - Universidade Federal da Bahia
B08 - Heike Derwanz, Street artists and their careers on the art and design markets - HafenCity University Hamburg
B09 - Laura Iannelli, Lorenza Parisi, To Govern artfully. Linking relational public art to urban governance toward new forms of civic participation - University of Sassari (Italy)
B10 - Duarte Lobo Antunes, “In the Papers” - The Media as a Site for Urban Creativity - The Bartlett School of Architecture, University College London
B11 - Legakis Paris, Irregular Temporary Interactions (I.T.I) - independent researcher
B12 - Cara Courage, Urban arts as anti-art - University of Brighton
B13 - Caram Kapp, Martha Bouziouri, Srdjan Tunic, Memetic Murals // Street art networks of solidarity and self-expression between Europe and the Middle East in the second decade of the 21st century - From Here to Fame; Aufbau Kreuzberg
B14 - Paulo Barroso, Keith Haring’s personal visual lexicon and public semiotic-art - Professor (no institution provided)
B16 - Filipa Ramalhete, Maria Assunção Gato, Sergio Vicente, A Participatory public Art Process in Almada – Agents and Values - e-Geo-FCSH/UNL; CEACT-UAL
B17 - Inês Bento Coelho, Site-specific Work in the Urban Sphere: On the city as a studio and as a material to produce artworks - independent researcher
B18 - Julio da Cruz Paulos, Agata Walny, The art of pragmatic action - University Paris 8 – Institute of European Studies
B19 - Ágata Sequeira, «Out in the streets: The possibilities and implications of making art in the city’s public space» - DINAMIA’CET-IUL
Session C - 23 papers
C01 - Johanna Steindorf, Female Migration through Audio: Participative Performances in Public Space using Mobile Devices - Bauhaus-University Weimar
C02 - Victor Correia, Public Art: a conceptual problematic - FCSH - UNL
C04 - Morgan Wells, Graffiti in Galleries: Implications for the Art World - University of California
C06 - Laura Castro, José Guilherme Abreu, Paredes’ Public Art Circuit. A Public Art and Community Orientated Program - CITAR/Universidade Católica Portuguesa
C08 - Minna Valjakka, Kaid Ashton: conflating streets, arts and charity - Academy of Finland Art history, University of Helsinki
C09 - Nicola Hille, Art on the Street: Spencer Tunick’s body sculptures - University of Stuttgart
C11 - Ilaria Hoppe, Urban Art as Countervisuality? - Institute for Art and Visual History, Humboldt-Universität zu Berlin,
C12 - Ulrich Blanché, Banksy vs. Bristol Museum - Street Art or street “flavored” art? - Universität Heidelberg
C13 - Peter Bengtsen, Stealing from the public: on the removal of street art from the street - Department of Arts and Cultural Sciences, Division of Art History and Visual Studies, Lund University
C15 - Ana Vilar Bravo, Participatory Urban Art - Faculdade de Letras da Universidade de Lisboa
C16 - Claudia Hogl, “Obey Shepard Fairey” Fairey’s ‘phenomenological experiment’ between art, political activism and commerce - University of Vienna
C17 - Jacob Kimvall, Mapping out an Institutional History of Graffiti and Street Art - Art History Dept. Stockholm University
C18 - Ema Rocha, 'Musealizar por aí'. Graffiti - The street as exhibit - independent researcher
C19 - Helena Maria Santana, Maria do Rosário Santana, Flash Mob as a moment of creation and human intervention on urban spaces - Departamento de comunicação e arte, Universidade de Aveiro
C21 - Henry Skerritt, Permanent Presence: Hip Hop and Indigenous Self-Representation in the Street Art of Corey Bulpitt and Larissa Healey - University of Pittsburgh (History of Art and Architecture Department)
C22 - Kris Murray, Rethinking political subjectivity in the urban context through the lens of graffiti and street art. - Concordia University
C23 - Giada Pellicari, Graffiti and New Media: the correlations between the two cultures - Fondazione Bevilacqua La Masa, Venice, Italy (curator in residence) Street Art Attack.tk (Editor in Chief)
C25 - Gabriela Vaz Pinheiro, No passage should go unnoticed: a case for a critical stance in temporary public art interventions - Faculdade de Belas-Artes da Universidade do Porto
C27 - Maria do Mar Fazenda, Urban Acupuncture, artistic interventions in a deactivated shop window in Lisbon - PhD Student Artistic Studies – Art and Mediations, FCSH/UNL
C29 - Patricia Guiley, The World as it is Written on the Wall - University of Utah: Department of Art History
C30 - Carlos Alcobia, Largo da Batata Video Mapping and São Paulo's forthcoming arenas of protest - CIEBA – Faculty of Fine Arts
C31 - Javier Abarca, Revs, the unknown pioneer - Universidad Complutense Madrid
C32 - Helena Elias, Inês Marques, Susana Leonor, Recent public art interventions in the context of the luso-brazilian cultural relationship: street murals of Os Gémeos in Lisbon and Vhils in Rio de Janeiro. - Universidade Lusófona
Session D - 19 papers
D1 - Vasilis Avdikos, Real estate development and the transformation of the collective symbolic capital of urban creativity - Department of Economic and Regional Development, Panteion University
D2 - Manuel García y Ruiz van Hoben, Art(s) in the City. Chronicles of a Spray Can - Faculdade de Letras – Universidade de Lisboa
D3 - Luis Menor Ruiz, Street Art and Urban Space. A problem or an opportunity for local governments? Barcelona as a case of study - Institut de Govern i Politiques Públiques de la Universitat Autónoma de Barcelona (IGOP-UAB)
D4 - Jeffrey Ian Ross, REPRESENTING REPRESENTATIONS: GRAFFITI AND STREET ART IN COMMERCIAL AND DOCUMENTARY FILMS - University of Baltimore
D5 - Anna Waclawek, Pop Culture, Politics, and Community: Urban Painting in Montreal - Concordia University
D6 - Ila N. Sheren, The Open-air Gallery: A Return to the Revolutionary, or More of the Market? - Washington University – St. Louis
D7 - Luísa Santos Silva, Public Art Projects - Towards a Critical Discourse on Urban Aesthetics - Humboldt-Viadrina School of Governance
D8 - Christian Omodeo, Graffiti: between public art and entrepreneurial cities - independent researcher
D9 - Julia Tulke, Aesthetics of Crisis. Street Art, Austerity Urbanism and the Right to the City - Institute of European Ethnology at the Humboldt Universität zu Berlin
D10 - Sandra Seixas Silva,(no title provided) - Faculdade de Belas Artes da Universidade de LIsboa
D11 - Moira Bernardoni, Socio-spatial resistance and political significance of graffiti - Middle East Technical University (Ankara, Turkey)
D13 - Pedro Costa, Ricardo Lopes, Is street art institutionalizable? Challenges to an alternative urban policy in Lisbon - ISCTE-IUL
D14 - Nicholas Platzer, How Street Art has reinvented the role of the Gallery - founder and curator of INOPERAbLE Gallery
D15 - Karin Steger, Annette Barz, The role of Berlins Urban Playgrounds - independent researcher
D16 - Sofia Ponte, How does street artworks survive in museums? - Instituto de História de Arte da FCSH UNL and Faculdade de Belas Artes da UP
D17 - Maria Domenica Arcuri, Utopia on Walls: The Collective Political Artworking of Felice Pignataro - independent researcher
D20 - Alice Nogueira Alves, Emerging issues of Street Art valuation as Cultural Heritage - Faculty of Fine Arts, Lisbon
D21 - Veronica Werckmeister, A Case study in Monumental Street Art: Creating Landmarks, Creating Together - independent researcher
D22 - Susan Hansen, Danny Flynn “Bring back our Banksy!”: Street art and the transformation of public space - Middlesex University/London Metropolitan University
